Gallery II

Petro Ryaska was born on August 14, 1975, in Bilki, Ukraine.
The Painter.
2004-2009 Stadies by Zakarpatskiy Institut of art, by painting faculty, in Uzhgorod, Ukraine. Teacher by trade Wyacheslaw Prychodko.

From 2010 is member of National Artists Union of Ukraine

2007-2010 is member of Young Association by National Artists Union of Ukraine

In 2010 was awarded with Diploma on International Art exibition in Lviv "The Autumn Lviv`s Saloon ", for triptych from the project women: "Ultramarine mood", "Blue women", "Women".

2007. The works Ethnos and My yard was awarded by Diploma of Excellence on Medial 2 Art Biennial by Art Addiction Medial Museum London

SOLO EXHIBITS:

2010 September-October. Chust, "Municipal gallery of Chust"

2010 April. Lviv, "Lvivskyi Palace of Arts"

2008 February. Uzhgorod, gallery " Uzhgorod"

FESTIVAL:

2011 August participating in a festival Арт- Picnic "Kredenc", in Wynohradowo

2011 October participating in a festival "EKLE", in Uzhgorod

REPUBLICAN GROUP EXHIBITS:

2010 August . Kiev, Allukraine trienale of painting, Central House of Artist

2010 January . Kiev, Republican exibition "The Ukraine from Trypillya... " , Central House of Artist

2009 December. Kiev, Republican exibition "To Christmas" , Central House of Artist

2009 October, Kiev, Republican exibition "To the day of Artist", Central House of Artist

2009 April. Poltava. Allukraine art exibition "Hohol, Ukraine and world", Museum of Art.

2007 December. Kiev, Republican exibition "To Christmas" , Central House of Artist

2007 October. Kiev, Republican exibition "To the day of Artist", Central House of Artist

2007 May.  Ternopil. Allukraine art exibition "Picturesque Ukraine".

2006 May.  Kiev, Allukraine art exibition "Youth - 2006", House of Artist in Kiev.

INTERNATIONAL GROUP EXHIBITS:

2011 November. Lviv, "The Autumn Saloon " Lvivskyi Palace of Arts

2010 November. Lviv, "The Autumn Saloon " Lvivskyi Palace of Arts

2009November. Lviv, "The Autumn Saloon " Lvivskyi Palace of Arts

2007. Medial 2 Art Biennial. Art Addiction Medial Museum London

From Author:

I believe, that the emotion - what is feeling and pour out during the working time of the work, is very important. Therefore the emotional painting - is living, pouring, rolling, dancing, singing and charming...
It's like poetry and romans, writing and comedy.

It's the constant looking for unusual in usual world. See and find joy and immediate in everything. And by means of the Arts to embody in life.

Energetics of love is the powerful strength and the oxygen that is necessary for full life. The aim of love is to create our world. It is waiting for us and always is ready to serve us. The invisible substance of love is suitable to substitute the strong power station and high-speed flow of time to make the week-days and grey life of a village or a town more bright. It can change us.
The Art is a tale in creating which underlies the wish to tell something, to share own impressions or emotions with somebody, may be even to cry out either quietly whisper or even nothing to say.
There are products-installation (Eros, Smithy-Hamora I -IV, Kitchen I -V...). The basis of them forms using things, which were in use for a long time and are shaped by it. These things absorbs certain energy during their life. They live in our everyday life and than go away from it. It will be wrong to say that using such things in product-installation is only the continuation of their life – it is a birth of a new one.
The form of the wooden base of the work of art becomes the part of the idea. This form is interweaving together with the idea already in the sketch and assists in solving the composition. So the idea is not the first one in creating the work of art, but the nature, the origin of the interior things. And it takes part in solving the idea. In the result an unpredictable consummation makes the process of the work more emotional and intellectually creative.

The work "Smithy Hamora II "is an atnographic theme.
The hyperbolic forms of the constraction of anvil and monumental powerful hammer are used as artistic means as well as aesthetising of the material and breaking the boundaries of the material cection assocciatins with the mechanisms of the 'Hamora" smithy.
In the metaphorical meaning this is the plece where something impotant for the humen life is being formed. For this reason the general form of the work has cectain mistic sence resemlling iconostasis, Royalgate or silhouette of the temple.It makes it possible to interact with the protruding pact of the work which has a somewhat abstract form of the cross. It also unites and recifies the protruding pact of the composition and the pulled upwards hand of one of the smiths that symbolizes the power of the human hand.

The smishy Hamora located in Transcarpatian region,Ukraine is a smithy-museum. It is 300 years old. The whole indoor equipment is maid of wood: the 150-kilogram oak hammer,the beechen support threshing-floor, which backs up the smithy, walls silings.The wood that is used is from the local woods, another is not a strong one. Other theme oaken water-wheel.It is madу without nails, but with wooden pale. It was chennged in 1950 wide oak tree was choped. Feefteen mans hardly embraced that tree.

The work “Ethnic form” is from the project love. It mean the ethnic form of love. By means used wooden element from the national loom.

The work “Eros” is from the project love.  It`s the composition with out the words. By linguistic means used the half of the old bed for two.

The composition“Treasure” pass the inside world of human. It`s cry. The soul of human is living. The old suitcase used to give the association of  the story from bible, about the man who is found the treasure and is glad from it. The work “Treasure” is from the project love.  

The work “Meditation of love” is from the project love. In composition open the unity of the world, through love of  two soul, the man and the woman.

The composition “A small boat. The portait of Candice Breitz” was created as an answer for an All-Ukrainian appeal of South African artist Candice  Brayts with the project "You+I". Two cultures are generalizelly combined in this work. On the part of the author it is the culture of Transcarpathian region of Ukraine and on the part of Candice Brayts - her African culture.By linguistic means used wooden and textile element from the national loom. Small doors from the furniture serves as a base of the work. The main aim of the project - to create the character of the South African artist Candice Brayts from the distance of Ukraine - was achieved.

The composition “Krosna". The word "krosna" from Transcarpathian dialect translates as a loom. The elements of a national loom, which are used in this work, and its title gives the desired splash of the density warping of weaving products. This association intensifies by the composition, where man's and women's figures are intertwined. The work “Krosna” was created specially for the project "Love".

The composition "Opposition" is an ecological project is presented in the format of festival Ekochashka, sent to the improvement surrounding
environments and us in him.
The format of composition is chosen to be carried out out of walls of apartment.
Without words an action carries in itself what we not make, we are closed;
звязаними is our ideas and actions to surrounding space, we неробимо
and - we haven`t, are quiet.
From other side composition with bringing in to it of humen gives character of denial
against "to do nothing".

Composition "Against Current" is continuation of composition of Opposition,
participants of happening preferentially vegetarians. Idea not to go in step with all,
not to go in step with a kitchen and meat which dominates in the world wherever people are not to think of by the consumption of meal.

Composition "Tree" is from a theme ecology. Calls to save nature.Not to cut down the forest

Gallery I

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